Ovver 500,000 Cu$t0mer$ - A Barnd You Can Turst. Cmopletely Discrreet. Oredr Onnline Now.
Yoour Prescrpition ED Medicatiion Delivreed To Your Doorsttep.Disscreet Paackaging & Deilvery.Fere Consult@ti0n.
Comp1etely Conifdential.Efefctive in 80% of Men wtih Erectile Dyfsunction
https://drive.google.com/file/d/1m8qt7dnmc6X6gFWe1XxWMVzmK49deOOy?qjhbqvTRCrtcTREXwyvdwYTqyciuOPJBZuayYTARCAYUDBWUNVATUTWRyTAIYyAVUYTCWWDyyBYUBytvyvwswb
Monday, September 28, 2020
Tuesday, September 22, 2020
Suzy Cube Update: March 16, 2018
#SuzyCube #gamedev #indiedev #madewithunity @NoodlecakeGames
Unfortunately, I've been sick this week. That means a short update for a couple of reasons: 1. I spent a lot of time resting and 2. I want to get this over with so I can go back to resting. So, on that positive note, let's get it on!
Read more »
Monday, September 21, 2020
Three Basic Layers To Observe/Analyze Games
There is a very complete (and complex) way to analyze and understand games proposed by Nitsche (2008) that I have already discussed in here. I have used this idea from Nitsche, semester after semester, in my game-designing classes, and it is a very didactic way to explain to the students the different planes in the gaming ecosystem.
However, since 2018 I've been teaching a discipline named "game essentials" in my university's IT course. It is an introductory (and general) approach to understand different bases of the gaming universe. Trying to synthesize some complex concepts, I'm discussing with my students the three fundamental layers to analyze games: the mechanical layer, the narrative layer, and the aesthetical layer. In an attempt to create the habit of always trying to identify which layer is predominant in a gaming experience I ask my students to grade – from 0 to 10 – these three aspects of the game. I'll use as an example below, a short analysis that I made using the indie game "She remembered caterpillars". Don't know the game? No worries, you can watch the trailer below and understand the central idea of this title:
"She remembered caterpillars" is a color-matching puzzle game with an unsettling organic aesthetic. In my point of view, the mechanical layer is the protagonist in this experience (grade 10) because all the gaming experience – in its core – is about solving the puzzles by positioning the characters in the right places of the scenario, respecting the color rules (ex.: blue character can go through a blue bridge put can't go through a blue arch); another interesting point about the mechanics is the fact that you start the game using characters created with primary colors (red, blue and yellow) and, as the game progresses, you start mixing the characters to use secondary colors (purple, green and orange) to solve the enigmas.
In "She remembered caterpillars", the aesthetical layer is just as important as the mechanical layer (grade 10 for this aspect too). How the characters were conceived with distinct colors, how these colors are always highlighted in the scenario, and how the layout information about the goal of each stage is always clear are nuclear features. In this game, the aesthetic aspects go hand in hand with the mechanical aspects all the time.
Last, but not least, we have a very curious narrative layer inside the "She remembered caterpillars" example. In this title, players eavesdrop on what appears to be one scientist's quest to save her father. The surreal landscapes filled with organic elements, fungi plants, and cute characters look like some kind of metaphor for the despair to reconstruct some brain connections. In this case, my grade for this layer is 5; it's a great narrative (if you stop to read the texts and pay attention) but you can play the whole game ignoring all this metaphoric information and have a great gaming experience.
It's a simple starting exercise to observe/analyze games in a more critical way, but it has worked very well in my introductory classes. Hope it helps you too.
#GoGamers
However, since 2018 I've been teaching a discipline named "game essentials" in my university's IT course. It is an introductory (and general) approach to understand different bases of the gaming universe. Trying to synthesize some complex concepts, I'm discussing with my students the three fundamental layers to analyze games: the mechanical layer, the narrative layer, and the aesthetical layer. In an attempt to create the habit of always trying to identify which layer is predominant in a gaming experience I ask my students to grade – from 0 to 10 – these three aspects of the game. I'll use as an example below, a short analysis that I made using the indie game "She remembered caterpillars". Don't know the game? No worries, you can watch the trailer below and understand the central idea of this title:
"She remembered caterpillars" is a color-matching puzzle game with an unsettling organic aesthetic. In my point of view, the mechanical layer is the protagonist in this experience (grade 10) because all the gaming experience – in its core – is about solving the puzzles by positioning the characters in the right places of the scenario, respecting the color rules (ex.: blue character can go through a blue bridge put can't go through a blue arch); another interesting point about the mechanics is the fact that you start the game using characters created with primary colors (red, blue and yellow) and, as the game progresses, you start mixing the characters to use secondary colors (purple, green and orange) to solve the enigmas.
In "She remembered caterpillars", the aesthetical layer is just as important as the mechanical layer (grade 10 for this aspect too). How the characters were conceived with distinct colors, how these colors are always highlighted in the scenario, and how the layout information about the goal of each stage is always clear are nuclear features. In this game, the aesthetic aspects go hand in hand with the mechanical aspects all the time.
Last, but not least, we have a very curious narrative layer inside the "She remembered caterpillars" example. In this title, players eavesdrop on what appears to be one scientist's quest to save her father. The surreal landscapes filled with organic elements, fungi plants, and cute characters look like some kind of metaphor for the despair to reconstruct some brain connections. In this case, my grade for this layer is 5; it's a great narrative (if you stop to read the texts and pay attention) but you can play the whole game ignoring all this metaphoric information and have a great gaming experience.
It's a simple starting exercise to observe/analyze games in a more critical way, but it has worked very well in my introductory classes. Hope it helps you too.
#GoGamers
Reference
NITSCHE, Michael. VIDEO GAME SPACES - image, play and structure in 3D worlds. Massachusetts: MIT Press, 2008
NITSCHE, Michael. VIDEO GAME SPACES - image, play and structure in 3D worlds. Massachusetts: MIT Press, 2008
Sunday, September 20, 2020
Commercial offer
Hi!
Unfortunately, I have some bad news for you.
Several months ago, I got access to the device you are using to browse the internet.
Since that time, I have been monitoring your internet activity.
Being a regular visitor of adult websites, I can confirm that it is you who is responsible for this.
To keep it simple, the websites you visited provided me with access to your data.
I've uploaded a Trojan horse on the driver basis that updates its signature several times per day, to make it impossible for antivirus to detect it. Additionally, it gives me access to your camera and microphone.
Moreover, I have backed-up all the data, including photos, social media, chats and contacts.
Just recently, I came up with an awesome idea to create the video where you cum in one part of the screen, while the video was simultaneously playing on another screen. That was fun!
Rest assured that I can easily send this video to all your contacts with a few clicks, and I assume that you would like to prevent this scenario.
With that in mind, here is my proposal:
Transfer the amount equivalent to 1500 USD to my Bitcoin wallet, and I will forget about the entire thing. I will also delete all data and videos permanently.
In my opinion, this is a somewhat modest price for my work.
You can figure out how to purchase Bitcoins using search engines like Google or Bing, seeing that it's not very difficult.
My Bitcoin wallet (BTC): 16EuKQaCEEeba1Us68P9RwKjc8HTT4zWRR
You have 48 hours to reply and you should also bear the following in mind:
It makes no sense to reply me - the address has been generated automatically.
It makes no sense to complain either, since the letter along with my Bitcoin wallet cannot be tracked.
Everything has been orchestrated precisely.
If I ever detect that you mentioned anything about this letter to anyone - the video will be immediately shared, and your contacts will be the first to receive it. Following that, the video will be posted on the web!
P.S. The time will start once you open this letter. (This program has a built-in timer).
Good luck and take it easy! It was just bad luck, next time please be careful.
Unfortunately, I have some bad news for you.
Several months ago, I got access to the device you are using to browse the internet.
Since that time, I have been monitoring your internet activity.
Being a regular visitor of adult websites, I can confirm that it is you who is responsible for this.
To keep it simple, the websites you visited provided me with access to your data.
I've uploaded a Trojan horse on the driver basis that updates its signature several times per day, to make it impossible for antivirus to detect it. Additionally, it gives me access to your camera and microphone.
Moreover, I have backed-up all the data, including photos, social media, chats and contacts.
Just recently, I came up with an awesome idea to create the video where you cum in one part of the screen, while the video was simultaneously playing on another screen. That was fun!
Rest assured that I can easily send this video to all your contacts with a few clicks, and I assume that you would like to prevent this scenario.
With that in mind, here is my proposal:
Transfer the amount equivalent to 1500 USD to my Bitcoin wallet, and I will forget about the entire thing. I will also delete all data and videos permanently.
In my opinion, this is a somewhat modest price for my work.
You can figure out how to purchase Bitcoins using search engines like Google or Bing, seeing that it's not very difficult.
My Bitcoin wallet (BTC): 16EuKQaCEEeba1Us68P9RwKjc8HTT4zWRR
You have 48 hours to reply and you should also bear the following in mind:
It makes no sense to reply me - the address has been generated automatically.
It makes no sense to complain either, since the letter along with my Bitcoin wallet cannot be tracked.
Everything has been orchestrated precisely.
If I ever detect that you mentioned anything about this letter to anyone - the video will be immediately shared, and your contacts will be the first to receive it. Following that, the video will be posted on the web!
P.S. The time will start once you open this letter. (This program has a built-in timer).
Good luck and take it easy! It was just bad luck, next time please be careful.
Saturday, September 12, 2020
Free Fire 1.39.0 APK+OBB Download
Free Fire 1.39.0 APK+OBB
===============================================
How To Install Free Fire 1.39.0 APK+OBB without Errors and Problems
===============================================
Screenshots
Free Fire 1.39.0 APK+OBB :-
Screenshots
Free Fire 1.39.0 APK+OBB :-
----------------------------------------------------------------------
THANK YOU SO MUCH FOR VISITING OUR SITE.
Friday, September 04, 2020
Three Gaming Interfaces To Pay Attention To
In this post, I want to discuss some gaming interfaces and user experience features in games. I will use my three favorite games for this present post, but the subject is broader and allows a bigger discussion that I intend to return to, next month.
DEAD SPACE (PS3)
In the horror-fiction game Dead Space, the interface is something to pay special attention to. The character's (Isaac Clarke) main statuses are disposed in a very strategic way: the life meter is located on his back in the shape of a spinal light, the weapon ammunition is showed as a small number when you aim the gun and, finally, the game has an interesting resource that is a luminous laser to help you easily locate the way the character must go (and it saves time in the complex scenario maze).
HERO (Atari)
This one is a relic from the beginning of the video-gaming era. HERO is an interesting case of user experience (UX) and interface with very limited constrols. Atari's joystick has only one button and one directional stick; with only two resources, HERO's designers implemented a wide range of possibilities: when you press the red button in the joystick the character uses its laser vision to kill enemies; by pressing down the control stick the character launches a dynamite do open walls and, finally, when you hold the control stick up the character flies using a jetpack. A very rich interface and UX created using minimal resources.
Entwined (PS4)
One of my favorite indie games Entwined is a great case of interface and usability. All the gameplay is based on how you can manage the two control sticks from PlayStation's joystick. During the whole experience, you must control the two mystic entities by only using circular movements; the user experience is focused on coordinating two different positions simultaneously (a challenge to your dexterity). Entwined is an incredibly created game, using only circular movements in two control sticks, a master class of game design.
On the three cases related in the post, we can clearly see the ideas of how games must strategically use concepts from the user experience field. To finish this conversation I want to share some content from the site nForm about this subject:
"The user experience is not one simple action – it is an interconnected cycle of attempting to satisfy hopes, dreams, needs and desires. This takes the shape of individuals comparing their expectations to the outcomes generated by their interaction with a system. Managing expectations then becomes key to successfully providing a satisfying "return on experience" that delights users and generates shared, sustainable value".
#GoGamers
DEAD SPACE (PS3)
In the horror-fiction game Dead Space, the interface is something to pay special attention to. The character's (Isaac Clarke) main statuses are disposed in a very strategic way: the life meter is located on his back in the shape of a spinal light, the weapon ammunition is showed as a small number when you aim the gun and, finally, the game has an interesting resource that is a luminous laser to help you easily locate the way the character must go (and it saves time in the complex scenario maze).
HERO (Atari)
This one is a relic from the beginning of the video-gaming era. HERO is an interesting case of user experience (UX) and interface with very limited constrols. Atari's joystick has only one button and one directional stick; with only two resources, HERO's designers implemented a wide range of possibilities: when you press the red button in the joystick the character uses its laser vision to kill enemies; by pressing down the control stick the character launches a dynamite do open walls and, finally, when you hold the control stick up the character flies using a jetpack. A very rich interface and UX created using minimal resources.
Entwined (PS4)
One of my favorite indie games Entwined is a great case of interface and usability. All the gameplay is based on how you can manage the two control sticks from PlayStation's joystick. During the whole experience, you must control the two mystic entities by only using circular movements; the user experience is focused on coordinating two different positions simultaneously (a challenge to your dexterity). Entwined is an incredibly created game, using only circular movements in two control sticks, a master class of game design.
On the three cases related in the post, we can clearly see the ideas of how games must strategically use concepts from the user experience field. To finish this conversation I want to share some content from the site nForm about this subject:
"The user experience is not one simple action – it is an interconnected cycle of attempting to satisfy hopes, dreams, needs and desires. This takes the shape of individuals comparing their expectations to the outcomes generated by their interaction with a system. Managing expectations then becomes key to successfully providing a satisfying "return on experience" that delights users and generates shared, sustainable value".
#GoGamers
Subscribe to:
Posts (Atom)
